Reviews Summary |
Wonderful stuff - NME / A resplendent sound collage - Remix / A knob-twiddler extrordinaire - Under The Radar / IDM that never loses the listener in its tangents - BPM / A genre-confounding tale of the unexpected from the deftest of techno artisans - Mojo / There will be few better soundtracks to this summer - Stylus |
Reviews | |
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Just as house and techno have undergone dramatic transformations over the
past decade, instrumental hip-hop has followed a gradual morphology. While the dusty drum breaks and MPC cut-ups from the mid-'90s are still apparent, technology has certainly made its presence felt, providing the ability to cull and arrange from a broader span of references. Four Tet's music is seen as the most prominent example, but Pedro (aka James Rutledge) and his self-titled 2004 debut, now re-released, offers an impressive case study to document the style's evolution. The album blends classical and early electronic music, folk, two-step, and jazz, all broadly underpinned by a hip-hop aesthetic. "All Things Rendered" represents the convergence of folk music with laptop edits, while "Fear & Resilience" features somber beats and brooding horns in a style comparable to DJ Shadow. A bonus remix disc featuring more of the integral figures of the movement — Prefuse73, Danger Mouse, Cherrystones — rounds out the profile. - Earplug |