Imagine if the boundless imagination of Susumu Yokota migrated from the backwater of ambient mood music; imagine if the energy of Squarepusher was refracted through a prism so perfect that if you merely glanced at it you would lose your soul. You’re only half-way to imagining what lies within James Rutledge’s heart. The heart of Pedro, his full-length debut, is an understanding of the universal, phonetic language of music; not just a continuation of the work of Philip Glass, Steve Reich and John Cale, more a journey to the next level. It could almost be world music, not because it pillages wholesale the culture of others, rather because it takes the listener on an imagined flight through five continents and introduces a sixth, then a seventh. Simultaneously nostalgic and futuristic, music this incredible is subversive. - Logo Magazine |