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Seamlessly amalgamating nature and electronics, Vignetting The Compost, the third full-length release from Bibio, channels instruments and vocals from a bygone era through a futuristic digital portal. History may credit Edison with the phonograph but, in truth, the first such device mysteriously washed up on the shores of England in 1876… playing Bibio. Vignetting The Compost is at once timeless and innovative; 60s-esque folk guitar and mechanic manipulations of sounds whose instruments of origin are less important than the feelings they evoke, layer upon each other with ease and intricacy. Just when you expect to hear Nico’s moan escaping your stereo, Bibio himself comes through with a voice that could have sung next to her on “These Days.” Truly, this is an album for the ages.
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