|MH-221 Omid - Monolith
Omid raises the standard on producer-driven hip-hop albums with Monolith, a project that rests in concept between his Celestial Recordings smash Beneath The Surface and 2002's stellar Distant Drummer. Equally split between layered instrumental pieces and standout vocal tracks, Omid invites some of the world's most important emcees to rhyme over his beautifully crafted, Middle Eastern tinged productions. Buck 65, Busdriver, Abstract Rude, 2Mex, Spoon (of Iodine), Luckyiam.PSC, Slug, Aceyalone, and Murs all give noteworthy performances. Two standout tracks are turned in by Hymnal, whose world-weary tales of moral corruption bookend the album. In a time where some producers are content with just making beats, Omid's mature design speaks volumes with or without emcees.
|Beats that you'd kill for - Vice / Rife with both sick beats and rhymes of conviction - Synthesis / Modern, bold, and uplifting. - Harvard Independent / Los Angeles' best-kept secret - San Francisco Weekly / Sick, progressive hip-hop - XLR8R / Don't make the mistake of missing Monolith. - Hip-Hop DX
|Respected LA beat sculptor Omid is back with a new album, his third, an inspiring blend of bump and rhyme that'll have his hip-hop peers going, "Damn, why didn't I think of that?" In addition to some fun instrumentals, poetic cats like Busdriver and Aceyalone lay smart observations on life and observations on life and human nature over well-built laptop headnodders to give groovers something to think about while they're out on the floor. - San Francisco Examiner