Rare is the studio rat who can add new wrinkles to hip-hop's funk foundations. LA crate-digga Omid Walizadeh does just that while unveiling a sonic palette with more colors than Crayola. Giving eclecticism a good name, he references and recontextualizes disparate sources like a musicologist who can also move the crowd like Eric B & Rakim. Monolith splits its fouteen tracks between instrumentals and vocals, and Omid excels in both situations. With rap iconoclasts like Busdriver, Buck 65, Slug, Abstract Rude, 2Mex, and Hymnal spitting compelling verses, Omid invariably laces tracks with surprising instrumentation (didgeridoo, flute, glockenspiel, kalimba, sitar). He also has a knack for subtle allusions, hinting at - but not sampling - the Beatles, Pharoah Sanders, and Consolidated. Monolith stamps Omid as one of hip-hop's most original producers, under or overground. - Portland Mercury |