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Reviews Summary |
K's back and kicking - stand clear - NME / Rewards as much as it refuses to compromise - The Wire / Another strong notch on the post of lyrically-progressive hip-hop - Hip-Hop Connection / Go cop this s**t; it's the future of hip-hop - Lost At Sea / Few rappers think to use words like "polyocular"; fewer manage to make them funky. - Q / K-the-I??? has a bright future ahead. - XLR8R |
Reviews | |
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K-the-I??? combines thoughtful and provocative lyrics with an informed wit that lights up every track and keeps you coming back for more. I was genuinely disappointed when the album finished and I had to push play to listen to it all over again. Not entirely dissimilar to Busdriver – who features on a track – but with a more hostile and raw vibe for his debut. The production is engaging yet minimal throughout, and it never crowds the raps. It's well keyed to the lyrics courtesy of Thavius Beck, who even appears on the track "Marathon Man." This is an artist in his own right, although maybe best known for his work on Fear of a Black Tangent. However here it’s all about setting the scene for K to rinse out. Some of his lyrics are so frantic they're almost impossible to follow. On "Before the Session" the snare intro leads on to a political discourse on media infiltration in our lives, affirmative action and the difficulty on one man being heard. The medley of all these notions creates a powerful effect which is repeated throughout, like on "Just Listen" with it's slow bass beat. The subject matter is love – being in and out of it, specifically – but the similes and tone swim through topics like the music industry, hip hop and how to escape stereotypes. Collaborations include High Priest, Busdriver on one of the more experimental tracks "Sabbath Faster," and also a star turn by Mestizo on the sad, moving "Man Or Machine." Here K starts at the speed of dreamy poetry, before revving it up to full on rap, repeating throughout. The main point, though, is that this guy is a serious and talented rapper, and this album gives him license to flex those tongue muscles. The dynamism on "Never Heard It Done Like This" is enough to cement him as a real player in hip hop. - In The Mix |