|
|
||||||||||||||||
| Reviews Summary |
| K's back and kicking - stand clear - NME / Rewards as much as it refuses to compromise - The Wire / Another strong notch on the post of lyrically-progressive hip-hop - Hip-Hop Connection / Go cop this s**t; it's the future of hip-hop - Lost At Sea / Twists the accepted notion of hip-hop into new shapes - Knowledge |
| Reviews | |
|
| The Magnificents hail from Edinburgh, and their obsessions are clearly Joy Division and electro, injecting fun into the former, and saving the latter from the curse of electroclash. The robot chant of opener "Infidel Infidel (Six Fingered Hell)" morphs violently into a hardcore glamorama, whilst "Last Gasp Of Revenge" comes on like a mish-mash of To Rococo Rot and Josef K. "Digital Dirt" buzzes with Germanic foreboding before segueing into the theme from Commando as reworked by the ghost of Ian Curtis ("M.I.A."). You expect a crunchy hook in "The Russian Disco," but it holds back to the breaking point, offering up vistas of ice-cool despair instead. Outside the club stalks "Ex-Airport," weilding its precision steel electronics as a weapon of paranoid defence. There is darkness and oppression aplenty, yet it is offset with bleeps and splutters, and the record therefore endears rather than isolates. - Fact |