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| Reviews Summary |
| K's back and kicking - stand clear - NME / Rewards as much as it refuses to compromise - The Wire / Another strong notch on the post of lyrically-progressive hip-hop - Hip-Hop Connection / Go cop this s**t; it's the future of hip-hop - Lost At Sea / Twists the accepted notion of hip-hop into new shapes - Knowledge |
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| If you have been hankeringafter the austere sounds of post-punk Sheffield transplanted to 21st century Edinburgh, then this is your lucky week, because The Magnificents' debut album is here and a better pastiche of Cabaret Voltaire and early Human League you will not encounter, except possibly in a tribute band. A quarter of a century on The Magnificents establish that it is still never a bad idea to cross the trailblazing electronica of Kraftwerk with the anarchic surge of punk and crank up the volume, particularly if your singer has a voice like a foghorn and needs a sturdy sonic buffer to absorb the impact. Individual songs don't leap out; The Magnificents is more of an overall stimulating discharge. There is great potential here - just as long as they don't succumb to photo sessions on desolate tracts of wasteground. - The Scotsman |