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MH-263 Bibio - Vignetting The Compost  Seamlessly amalgamating nature and electronics, Vignetting The Compost, the third full-length release from Bibio, channels instruments and vocals from a bygone era through a futuristic digital portal. History may credit Edison with the phonograph but, in truth, the first such device mysteriously washed up on the shores of England in 1876… playing Bibio. Vignetting The Compost is at once timeless and innovative; 60s-esque folk guitar and mechanic manipulations of sounds whose instruments of origin are less important than the feelings they evoke, layer upon each other with ease and intricacy. Just when you expect to hear Nico’s moan escaping your stereo, Bibio himself comes through with a voice that could have sung next to her on “These Days.” Truly, this is an album for the ages. |
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| Reviews Summary |
| Some of Bibio's most varied and immediate work - All Music Guide / A beautiful, crackling bricolage of vintage sounds - Evil Monito / Bibio’s best record - PopMatters / Quite perfect - Losing Today / Bibio should have no problem calling his greatest - Urb / Beautiful, expressive pools of sound - The Agit Reader |
| He's probably better known for his work with other people than for what comes out under his own name, but Dialogue is a solid collection that spends time on both sides of the line between hip-hop beatmaking and electronic experimentalism. Even when the tracks feature vocals, they rise above categorization (they're not MTV-ready, but they're too tech-y to be backpacker hip-hop). The beats are the real draw, though. It's as if Kraftwerk, The Neptunes and Fennesz fell into a supercollider and fused at the sub-atomic level. - 75 Or Less |
