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MH-259 Head Like A Kite - There Is Loud Laughter Everywhere  There Is Loud Laughter Everywhere, Head Like A Kite’s second full-length album, and first for Mush, is an expert blend of electronic rock production and pure pop-songcraft built on a bed of pillaged found-sound from cities the band visited on their 2006 US tour. No stranger to sharing the stage with big names on national and international turf, ringmaster Dave Einmo has assembled some of Seattle’s finest for the album including members of The Long Winters, Smoosh, Radio 4, Crooked Fingers, and Preston School Of Industry. Whether it be guest vocals from Asya Smoosh and Graig Markel, added inspiration from touring drummer Trent Moorman, or the production of Brian Deck (Modest Mouse, Iron & Wine) each track is flavored with the perfect additions to the epic songwriting and big-beat electronic production that is Head Like A Kite’s forte. There Is Loud Laughter Everywhere strikes the balance between art and craft and is the finest sonic road-trip in the Mush catalog. |
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| Reviews Summary |
| Possibly the best release out of the Northwest this year - KEXP / A true genre-twisted party album that appropriately captures the sounds of an eclectic America - Urb / The dreamy soundtrack to your imaginary trip into space - The Stranger / Deserves a lot of indie play - Pop Matters / Friskiness is refreshing – AP |
| If you consider other electro-folk bands like Caribou or Looper, live instruments (drums, acoustic guitars) might give the music a more organic feel, but the balance teeters heavily toward electronica. With Bibio (AKA Stephen Wilkinson, a British sound-art student and music producer), the opposite is true. Pure digital sounds are mostly absent. Instead it's the acoustic elements combined with other field recordings that are sped up, pitch-altered and looped to create backbeats or entire tracks. The result is a bizarre yet beautifully delicate amalgamation of The Books, Devendra Banhart and Boards of Canada recorded on a warped vinyl platter. - The Coast |
